Hermann Bahr Arthur Schnitzler Briefwechsel, Aufzeichnungen, Dokumente 1891–1931

... Nachmittag M bei mir, und Specht, Bach spielend; Gespräch über Nietzsche, den er mir doch zu sehr ...

... Nm. mit Grethe S. eine Suite von Bach. ...

... Mama zu Tisch. Mit ihr ein Bach. ...

... N. d. N. phantasire ich Clavier;– » Bach«, Walzer (auch meine alten) – Alma und die andern sind frap ...

... A very curious work on Johann Sebastian Bach’s Chromatic Fantasy and Fugue ...... k what title has an archæologist to enter a discussion about Bach, and the professional archæologists take the view that it i ...... hen finally he unexpectedly decided in favour of science. If Bach was the last word to him in music, so in archæology all his ...... frieze of the Parthenon. Phidias to him is for the eye what Bach is for the ear. He, as it were, regards the frieze of the P ...... to show him the frieze of the Parthenon. This new book about Bach arouses so much favourable and bitterly hostile comment, ch ...... Chromatic Fantasy . How did Bach come to it? How did it occur to him? What was the first thi ...... h, c. As soon as one dechromatises a, b, h, c the result is Bach , the composer’s name. Bach himself, as we know from an eigh ...... Bach , the composer’s name. Bach himself, as we know from an eighteenth-century ...... but it also is rich in technical knowledge. He shows us that Bach to-day is almost universally misunderstood by pianists. The ...... d have grown accustomed to treating the piano like an organ. Bach must be cleansed of the romantic accretions: he must not be ...

... Mit Heini nach Tisch ein Bach Prel. mit Fuge. Dann liest er mir ein Stück aus dem Th. Man ...

... Falstaff); Heini und Bamb. spielen Skriabin (fragment.) und Bach.– Auch Dr. Bloch war da. ...